Videographer in
Aix-en-Provence.

The cost is built from four items: writing and preparation, filming time, post-production, options (drone, animation, short versions). The Lyon–Aix TGV trip weighs little, and accommodation is only added if we start before the first train or if the shoot stretches out. The details of the other parameters are in my price guide.

The City’s Bureau cinéma, attached to the Events and Protocol department, processes requests. Processing takes at least ten days from a complete file (insurance, plan, schedule). The municipal tariff provides for a fee per set and per day for occupying public land. In a private venue, the operator’s or owner’s authorisation is enough.

Sometimes. You have to check the regulated zones (Les Milles aerodrome, Marignane approach), file declarations with the prefecture and respect the rules specific to natural areas. In summer, access to the massifs can be restricted, even banned, depending on the fire-risk level: I check the day before and plan a shot from a viewpoint if needed.

Yes, it is a frequent request. I film workshops, talks and the evening, adapting to the programme and the estate’s light. The venue’s agreement is enough, and I obtain consent from participants filmed up close. The keepsake film can be ready the following week.

Yes, with prior scouting and your rules: protective equipment, restricted areas, compatible equipment, approval of sensitive shots. I keep the crew to the strict minimum and submit the footage to you before any release, to protect your processes.

About 1 h 25 by direct TGV on the fastest services to Aix-en-Provence TGV, with around a dozen services a day, then a shuttle or taxi to the centre. By car, allow about three hours via the A7.

Yes. The Aix Conference Centre has a 503-seat auditorium and flexible spaces: I capture the plenary sessions, parallel workshops and networking moments, then edit clips of the talks and a summary film. On a two- or three-day conference, a second camera operator can cover two rooms at once.

Yes: Les Milles, La Duranne, Rousset, Gardanne, Trets, Venelles, Éguilles, Pertuis, Lambesc, and further afield Marseille, Salon-de-Provence or Avignon. Several neighbouring sites can happily be filmed on the same day. For a company based in both Aix and Lyon, I can also ensure visual consistency between the two sites.

For a corporate film, a seminar or interviews, a videographer-director, reinforced if needed, brings flexibility and responsiveness. For a broadcast, a studio set or a multi-camera relay, a full structure is better: the page Aix-en-Provence video production presents these set-ups.

For a partner company, a hotel or an associated venue, yes, with the organisers’ agreement. In July (2 to 21 in 2026), the city is very busy and accommodation books up early: for a standard corporate shoot, I would rather advise spring or autumn.

Yes. To attract engineers, technicians or sales staff, I film your teams in their work environment and edit short portraits, designed for LinkedIn, your careers page and the school job fairs in Aix and Marseille. An employee talking about their job often convinces better than a job ad.

April–May and September–October give softer light and comfortable temperatures. In summer, I favour dawn and late afternoon; I also watch the mistral, which hampers outdoor sound recording, and the access rules for the massifs.

A scoping call, a shot list approved in writing, then shared edits that you annotate to the second. If you wish, I come for an on-site scout before the shoot; for an industrial site, it is even strongly recommended.

You can publish the videos on all your communication channels: website, social media, trade shows, presentations. The music is licensed accordingly; rights for television or billboards are negotiated separately, in the quote.