Videographer in
Annecy.

It depends on writing time, shooting days and editing, but above all on the share of animation or 3D, which takes production time. The trip from Lyon remains reasonable; a night on site is only justified to film the dawn. Each item is detailed in my pricing page.

A shoot with equipment in public space (quays, gardens, old-town streets) requires the approval of the City of Annecy: I handle it beforehand with its departments. In a hotel, a hall or a company, it is the host venue that gives its consent.

Not just anywhere. Annecy Mont-Blanc airport, at Meythet, and the Bout du Lac and Roc de Chère nature reserves create areas where flying is banned or tightly regulated, and flying over the town follows the rules applicable in built-up areas. I check the map, make the declarations and offer a viewpoint from the shore or a vantage point when flying is ruled out.

Yes, it is even my speciality: I film, then model, animate and integrate the 3D or graphic elements myself, as Victador and the short film 98% show. The same director, one schedule, and a consistent image from start to finish.

For a studio, a brand or a school present at the Festival or the MIFA, yes, following the organisers’ rules. In 2026, the Festival takes place from 21 to 27 June and the MIFA from 23 to 26 June: the town is then in high demand, so book early.

By direct regional train, allow a little under two hours between Part-Dieu and Annecy station, with a few direct services a day; by motorway, the journey is of the same order. For a sunrise session, I stay on site the night before.

Yes: plenary, workshops, activity on the water or in the mountains, dinner. I follow the programme without disrupting it: a keepsake film, then clips for your social media. The Impérial congress centre, for example, offers a plenary room for up to 600 people and 19 rooms.

Yes: Annecy-le-Vieux, Seynod, Cran-Gevrier, Épagny Metz-Tessy, Argonay, Sévrier, Veyrier-du-Lac, Talloires, Faverges, and further afield Chambéry, Aix-les-Bains, Geneva or the Aravis.

Brand film, seminar, interviews or animated content: a videographer-director is enough, reinforced if needed. A programme, live broadcast or multi-camera set-up requires more resources: the page video production (Lyon) presents these set-ups.

Yes: interviews with directors and animators, drawing-tablet gestures, team life. These images serve recruitment, communication around a film or a funding application.

Yes: product launches, ambassador portraits, design behind the scenes, in a studio or outdoors. I also frame in 9:16 for social media, as for OLY, the app conceived with Teddy Riner.

Spring and early autumn combine soft light and a calm lake; summer brings long days but heavy crowds, and winter beautiful moods with short days. The “summer or off-season” section above details these trade-offs.

Each edit version, then each animation pass, is shared online: you leave your remarks at the right moment of the picture. We can also schedule a video call at each stage.

Everywhere you communicate: website, social media, festivals, trade shows, presentations. The chosen music covers all this; television or billboard distribution is priced as an option in the quote.