01
Producing in series
For the ASPTT’s MOOVA app, I took charge of a large part of the editing of 240 videos of 20 to 30 minutes: know-how useful to companies that feed a platform, an intranet or a catalogue.
MOOVA · 240 sessionsQB
Quentin Berguet
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Digital content, brands and events · Lille
Videographer in
Lille.
Three hours by direct high-speed train separate Lyon from Lille: short enough for a shoot within the day, long enough to organise it properly. In Lille I produce brand films, video series for platforms and vertical formats, from script to final file.
BRAND STAND · TFWAMars Wrigley · 2025Brand filmWatch the film 5,0 ★from 22 Google reviews
2018filmmaker since
+200projects delivered
DGACcertified drone pilot
24 hto get back to you
They trusted me with their image
The same care on every project, whether you are
a large group, an SME or an institution.
Why come from Lyon
The direct high-speed train
changes everything.
About ten direct high-speed trains link Lyon Part-Dieu to Lille every day: early departure, filming on site, return in the evening if the schedule allows. For several days of shooting, I stay on site and the crew stays the same.
02
Designed for the phone
For the launch of OLY, the coaching app conceived with Teddy Riner, I produced the video content in 9:16. Vertical is thought through from the writing, not at the moment of reframing.
Vertical format · OLY
03
About three hours
The fastest journey between Lyon Part-Dieu and Lille is around three hours by direct high-speed train. A meeting, a scout or a day of filming therefore fits in a day return.
Lyon → Lille · ≈ 3 h by direct high-speed trainWork
Brands, platforms
and events.
Case studies
A brand, an app,
240 videos.
A brand stand at an international trade show, the launch of an app in vertical, a library of 240 sessions: three ways of producing video for a company, from the one-off film to the series. Each case study contains the footage.
MARS WRIGLEY · TFWA
Keeping the energy of a stand
For Mars Wrigley, at the TFWA show in Cannes, I handled the direction, footage and editing of the stand coverage. Mobile camera, natural light, tight shots on textures and colours, slow motion: the film follows the activities and spontaneous exchanges with visitors, at the pace of the show. For a Lille brand exhibiting, at the Lille Grand Palais or elsewhere, it is content that serves all year round.
See the case study
OLY · TEDDY RINER
An app launch in 9:16
OLY is a sports coaching app conceived with Teddy Riner. I produced its launch video content, entirely in vertical: portraits of the champion and exercise demonstrations, on a dark background with green neon lights. The frame, light and rhythm are designed for a phone screen from the shoot onwards. A start-up in the metropolitan area launching a digital product needs the same reflex.
See the case study
ASPTT · MOOVA
240 videos, one standard of rigour
For MOOVA, the ASPTT’s sport and well-being app, I handled a large part of the editing of 240 sessions of 20 to 30 minutes, as well as export optimisation and deliverables management, over nearly 17 TB of rushes. A tracking spreadsheet kept consistency and deadlines. A company building a catalogue of training courses or tutorials faces exactly these challenges.
See the case studyA project in Lille?
Your need and your dates in a few lines: a priced proposal reaches you the next business day.
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Services
What I produce
in Lille.
Digital companies, brands, studios and image professionals, event organisers, training organisations: before talking cameras, we define how many videos you need, for whom and on which screens.
01
Corporate film
Your business, your teams, your premises: a main film written with you, shot in one day when possible, then broken down into clips for your social media and meetings.
DeliverablesMain film, clips
Learn more02
Events and launches
Evenings, product launches, professional days: I set the highlights with you and stay mobile to capture the real atmosphere.
DeliverablesOfficial film, aftermovie
Learn more03
Interviews and testimonials
Founders, experts, clients: interviews prepared beforehand and cleanly filmed, for a testimonial, a pitch or a series of portraits.
DeliverablesTestimonials, quotes
Learn more04
Social formats
Reels, stories, app content: 9:16 is decided at the writing stage and filmed separately, as for the OLY launch.
DeliverablesVertical, subtitles
Learn more05
Drone
DGAC-certified drone pilot. In town, flying requires prior procedures and takes into account Lille-Lesquin airport; the City also asks for the take-off point in the filming file.
DeliverablesLicensed aerial shots
Learn more06
Motion design and 3D
Branding, animated titles, diagrams, 3D elements: made in-house, useful for giving a shared identity to a whole series of videos.
DeliverablesAnimation, 3D, compositing
Learn moreFormats
Choosing your
film format.
A standalone film or a collection of videos are not prepared in the same way. Here are the formats I most often recommend in the Lille metropolitan area.
| Goal | Format | Length | Where to publish it | Why it works |
|---|---|---|---|---|
| Establish your image | Corporate film | 1 to 2 min | Website, LinkedIn, reception | The essentials of the company in one film. |
| Reassure a buyer | Client testimonial | 1 to 2 min | Meetings, website | Proof from a real client. |
| Train and onboard | Video series | 5 to 30 min | Intranet, app | A consistent catalogue, episode after episode. |
| Extend an event | Aftermovie | 1 to 3 min | Participants, press | The summary to share the following week. |
| Launch a product | Reels and vertical formats | 15 to 45 s | Instagram, TikTok | A short campaign filmed for mobile. |
| Clarify an offer | Motion design and 3D | 1 to 2 min | Website, demonstrations | A digital service made concrete on screen. |
Lille, the practical side
Filming in Lille: good to know.
Filming office
Full file to the Filming Reception Office, no later than 20 working days before the date.
Drone
Take-off point stated in the file, prior procedures and Lesquin airport to be factored in.
Braderie
In early September, the Braderie takes over the centre: film elsewhere, or film the event itself.
Weather
Changeable sky and short days in winter: an indoor backup plan is always prepared.
Lille settings
Lille, from Vieux-Lille
to the metropolitan area.
Flemish brick, business stations, former factories converted into digital hubs: the metropolitan area offers very different settings a few metro stops apart. Six areas to know.
Vieux-Lille and Grand’Place
Cobbles, Flemish façades, the Vieille Bourse and its book dealers: the historic heart, ideal for a brand portrait or a city-centre atmosphere.
Euralille and the stations
Around Lille Flandres and Lille Europe, office towers and passenger flows: the setting for a company film or an executive interview.
EuraTechnologies
A former spinning mill turned digital hub, on the banks of the Deûle: the natural setting for the metropolitan area’s start-ups and tech projects.
Citadel and Bois de Boulogne
Vauban’s citadel and its green spaces: calm exteriors for interviews, a sports shoot or breathing-space shots.
Wazemmes and Moulins
Market, wastelands and community venues: lively neighbourhoods for rawer content, a portrait or a field report.
Roubaix and Tourcoing
La Piscine in Roubaix, Plaine Images in Tourcoing, former textile factories: industrial heritage and the image industry, twenty minutes from the centre.
Method
Simple, from brief
to film.
Scoping by video call, file for the City, filming in Lille, editing in Lyon: each version is submitted to you before the next.
01
First contact
Quote the next business dayObjective, number of videos, dates: a clear proposal, high-speed train trip included.
02
Preparation
20 working days minimumFile for the Filming Office, scripts, shooting schedule, list of participants.
03
Filming
1 to 3 daysOne day for a company film; several days to shoot a series without losing consistency.
04
Editing
1 to 4 weeksEditing, colour grading, sound, shared branding; approval episode by episode for a series.
Request a video quote No obligation · quote the next business day
What volume?
One film or a whole
series?
A presentation film and a library of tutorials or sessions have neither the same budget nor the same organisation. Here is what changes.
A single film
- — One story, one main message.
- — One or two days of filming.
- — A few clips for social media.
- — Ideal for presenting or launching.
A video series
- + A shared template: branding, length, sound.
- + A shooting schedule per episode.
- + A deliverables tracking spreadsheet.
- + Exports adapted to the platform.
- + Approval episode by episode.
For MOOVA, the editing of 240 sessions relied on rigorous tracking of every file. A series is conceived as a system, not as a sum of films. For a live broadcast or a multi-camera set-up, a production company takes over.
Live or multi-camera: video production, ParisSeveral videos to plan?
Volume, cadence, platforms: a twenty-minute call to set up the organisation. No obligation.
Book the call Free, no obligation
They trusted me
What they say
of my work.
5,0
★★★★★22 Google reviewsAll my Google reviews
Great videographer I have been working with for several years for a major chocolate brand. Very professional, video edited very quickly, recommended if you are looking for a talented videographer.
“Very professional work from Quentin.”
“He knows how to handle the unexpected and adapt to different situations.”
“He takes the time to properly understand each project.”
“Professional, talented and very committed.”
About
Quentin Berguet,
videographer-director.
A director since 2018, I design, film and edit videos for brands, companies and events, from the one-off film to the series, with animation and 3D if needed. On large volumes, I bring in reinforcement; you keep the same director.
My references: Mars Wrigley at the TFWA, the OLY launch with Teddy Riner, the editing of the 240 MOOVA videos for the ASPTT, Victador, Koezio, the DGAEV. Thanks to the direct high-speed train, I get from Lyon to Lille in the morning.
2018first films
+200projects delivered
DGACdrone pilot
LyonAll of France
FAQ · Lille
Lille:
your questions.
A specific question? Write to me, I reply quickly.
How much does a video filmed in Lille cost?
The price depends on preparation, the number of shooting days, the volume of videos to edit and options (branding, 3D, subtitles). The high-speed train from Lyon and, if needed, a night on site are shown separately. All components are explained on my pricing page.
What procedures to film in the streets of Lille?
The City of Lille goes through its Filming Reception Office: the complete file (insurance certificate, plan of filming and parking zones, any drone take-off point) must arrive no later than 20 working days before the date. I put it together with you.
Can a drone be used in Lille?
Sometimes, with advance planning. The City’s file includes an “aerial filming” section with the take-off point, and a flight in town also requires procedures with the authorities, taking Lille-Lesquin airport into account. Without approval, I work from high vantage points.
And during the Braderie?
On the first weekend of September, the Braderie occupies much of the centre: a corporate shoot is difficult there, but the event itself can be filmed, with a light, mobile set-up in the middle of the crowd.
Can you produce a series of videos?
Yes. For MOOVA, I handled a large part of the editing of 240 sessions of 20 to 30 minutes, with precise tracking of files and deliverables. For a series shot in Lille, I plan a shared template and an episode-by-episode schedule.
Is Lille far from Lyon?
No: about ten direct high-speed trains a day, around three hours of travel. A one-day shoot can be done as a day return; beyond that, I stay on site to chain the days.
Do you film digital product launches?
Yes: the vertical content for the launch of OLY, Teddy Riner’s app, is an example. Demonstrations, portraits, short formats for the app stores and social media are prepared from the writing stage.
Do you work across the whole metropolitan area?
Yes: Villeneuve-d’Ascq, Roubaix, La Madeleine, Tourcoing, Lambersart, Marcq-en-Barœul, but also Lens, Arras, Dunkirk and neighbouring Belgium (Tournai, Kortrijk).
Is a production company needed?
Not for a company film, interviews or an event: a director and, if needed, reinforcement are enough. For a live broadcast, a control room or several synchronised cameras, a production company is better suited: see the page video production in Paris.
Do you do branding and 3D?
Yes, in-house: credits, animated titles, diagrams, 3D elements. For a series, the shared branding gives an identity to all episodes; for a product, 3D shows what cannot be seen.
Do you film executive interviews?
Yes: question preparation, polished framing, clean sound, then editing into a long version and clips. Half a day is often enough for several speakers in the same premises.
When is the best time to film in Lille?
From spring to early autumn, days are long and the light more stable. In winter, daylight fades early: we favour indoors. In early September, the Braderie upends the centre.
Can we meet beforehand?
Yes, the direct high-speed train makes an on-site meeting easy to arrange. Most projects, however, are scoped very well by video call, with versions commented online afterwards.
What uses for the videos?
Website, social media, app, intranet, trade shows, presentations: the music is licensed for these uses. A TV or billboard campaign is flagged at the quote stage.
Area
Lille, the North
and all over France.
Lyon → Lille · ≈ 3 h by direct high-speed train
Metropolitan area and surroundings
Villeneuve-d’Ascq, Roubaix, La Madeleine, Tourcoing, Lambersart, Marcq-en-Barœul, Lens, Arras, Dunkirk, Tournai.
North and Paris
For a wedding
Contact
A project in Lille
or in the metropolitan area?
Volume, dates, places: I get back to you with an estimate and a shooting plan.
Reply within 24 business hours · your details are only used to reply to you.